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Visualize what you want your reader to experience, and then translate what you see in your mind into words on the page. You need to describe things "in a way that will cause your reader to prickle with recognition," he says. The key to good description is clarity, both in observation and in writing. Use fresh images and simple vocabulary to avoid exhausting your reader.

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The former is not. If you need to do research, make sure it doesn't overshadow the story. Research belongs "as far in the background and the back story as you can get it," says King. You may be entranced by what you're learning, but your readers are going to care a lot more about your characters and your story. The people in your stories are what readers care about the most, so make sure you acknowledge all the dimensions your characters may have.

First and foremost, stop using the passive voice.

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It's the biggest indicator of fear. Writers should throw back their shoulders, stick out their chins, and put their writing in charge. If it works, fine. If it doesn't, toss it," King says. In his eyes, substance-abusing writers are just substance-abusers. As King says, "You can't aim a book like a cruise missile. An important element of writing is transference. Your job isn't to write words on the page, but rather to transfer the ideas inside your head into the heads of your readers.

In his advice on writing , Vonnegut also recommends that writers "use the time of a total stranger in such a way that he or she will not feel the time was wasted. As writer Susan Sontag says , "The story must strike a nerve — in me.

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My heart should start pounding when I hear the first line in my head. I start trembling at the risk. I begin to lose my hold on the story's plot and pace. If you fail to write consistently, the excitement for your idea may begin to fade. When the work starts to feel like work, King describes the moment as "the smooch of death. King likes to write 10 pages a day. Over a three-month span, that amounts to around , words.


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If you spend too long on your piece, King believes the story begins to take on an odd foreign feel. King suggests six weeks of "recuperation time" after you're done writing, so you can have a clear mind to spot any glaring holes in the plot or character development. He asserts that a writer's original perception of a character could be just as faulty as the reader's. King compares the writing and revision process to nature. Screw-ups happen to the best of us.

When revising, writers often have a difficult time letting go of words they spent so much time writing. Product Details. Inspired by Your Browsing History. Peter McGough.

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